{"id":915,"date":"2019-10-12T10:48:09","date_gmt":"2019-10-12T08:48:09","guid":{"rendered":"https:\/\/bonheurdesarts.com\/gazette\/?p=915"},"modified":"2019-10-12T10:50:47","modified_gmt":"2019-10-12T08:50:47","slug":"la-peinture-anglaise-au-musee-du-luxembourg","status":"publish","type":"post","link":"https:\/\/bonheurdesarts.com\/gazette\/expositions\/la-peinture-anglaise-au-musee-du-luxembourg\/","title":{"rendered":"La peinture anglaise au mus\u00e9e du Luxembourg"},"content":{"rendered":"\n<p>Il faut bien l\u2019admettre : la peinture anglaise n\u2019a pas la part belle dans les expositions temporaires, contrairement \u00e0 la peinture fran\u00e7aise et am\u00e9ricaine. Aussi, cette exposition des chefs-d\u2019\u0153uvre de la <a rel=\"noreferrer noopener\" aria-label=\"Tate Britain (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/www.tate.org.uk\/visit\/tate-britain\" target=\"_blank\">Tate Britain<\/a> au <a href=\"https:\/\/museeduluxembourg.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Mus\u00e9e du Luxembourg (s\u2019ouvre dans un nouvel onglet)\">Mus\u00e9e du Luxembourg<\/a> \u00e9tait la bienvenue.<\/p>\n\n\n\n<p>Jusqu\u2019au 16 f\u00e9vrier 2020, vous aurez l\u2019occasion de d\u00e9couvrir les cr\u00e9ateurs anglais datant de la p\u00e9riode du roi <a href=\"https:\/\/fr.wikipedia.org\/wiki\/George_III_%28roi_du_Royaume-Uni%29\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Georges III (s\u2019ouvre dans un nouvel onglet)\">Georges III<\/a>, c\u2019est-\u00e0-dire de 1760 \u00e0 1820. Pourquoi cette chronologie ? Ce long r\u00e8gne a \u00e9t\u00e9 un contexte tr\u00e8s favorable pour les sciences et les arts. L\u2019Angleterre conna\u00eet alors sa premi\u00e8re r\u00e9volution industrielle gr\u00e2ce \u00e0 l\u2019invention de machines permettant de d\u00e9velopper l\u2019exploitation des mines et du textile. Pour rappel historique, la machine \u00e0 vapeur a \u00e9t\u00e9 mise au point par James Watt en 1769. Cette p\u00e9riode d\u00e9cisive a contribu\u00e9 \u00e0 la transformation de la soci\u00e9t\u00e9, dans ses pratiques, dans ses habitudes et dans ses attentes. <\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img fetchpriority=\"high\" decoding=\"async\" width=\"640\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraithomme.png\" alt=\"\" data-id=\"927\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=927\" class=\"wp-image-927\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraithomme.png 640w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraithomme-192x300.png 192w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption>Thomas Gainsborough, <em>Comte John Needham<\/em>, 1768<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"616\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraitlady.png\" alt=\"\" data-id=\"928\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=928\" class=\"wp-image-928\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraitlady.png 616w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraitlady-185x300.png 185w\" sizes=\"(max-width: 616px) 100vw, 616px\" \/><figcaption>Joshua Reynolds, <em>Miss Monckton<\/em>, 1777<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<p>Une client\u00e8le ais\u00e9e \u00e9merge. Elle est soucieuse de son statut social. Aussi, les portraits connaissent un important essor sous le r\u00e8gne de Georges III. Deux noms font surface : <a rel=\"noreferrer noopener\" aria-label=\"Joshua Reynolds (1723-1792) (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Joshua_Reynolds\" target=\"_blank\">Joshua Reynolds (1723-1792)<\/a> et <a rel=\"noreferrer noopener\" aria-label=\"Thomas Gainsborough (1727-1788) (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Thomas_Gainsborough\" target=\"_blank\">Thomas Gainsborough (1727-1788)<\/a>. Tous deux sont peintres du roi, un titre prestigieux. La presse et la critique les voient comme des concurrents. Les deux artistes en jouent et cr\u00e9ent des \u0153uvres appelant ouvertement \u00e0 la comparaison. C\u2019est un v\u00e9ritable spectacle pour le public de l\u2019\u00e9poque ! Bien qu&rsquo;ils profitent de cette rivalit\u00e9, les deux peintres n\u2019ont pas la m\u00eame vision de l\u2019art. Fondateurs de la <a href=\"https:\/\/www.royalacademy.org.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Royal Academy of arts (s\u2019ouvre dans un nouvel onglet)\">Royal Academy of arts<\/a>, quelques tensions sur leurs th\u00e9ories respectives les \u00e9cartent finalement l\u2019un de l\u2019autre.<\/p>\n\n\n\n<p>Les portraits de Reynolds et de Gainsborough r\u00e9v\u00e8lent leur talent dans la touche expressive, et surtout dans la captation du caract\u00e8re du sujet. On devine ais\u00e9ment la personnalit\u00e9 des individus figur\u00e9s. Les deux peintres t\u00e9moignent leur attachement pour les ma\u00eetres des \u00e9poques pr\u00e9c\u00e9dentes tout en apportant un regard neuf, ce qui pla\u00eet \u00e0 la client\u00e8le.<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"858\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portrait.png\" alt=\"\" data-id=\"925\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=925\" class=\"wp-image-925\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portrait.png 858w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portrait-257x300.png 257w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portrait-768x895.png 768w\" sizes=\"(max-width: 858px) 100vw, 858px\" \/><figcaption>George Romney, <em>Mrs Robert Trotter of Bush<\/em>, 1788<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraitlady2.png\" alt=\"\" data-id=\"926\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=926\" class=\"wp-image-926\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraitlady2.png 650w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/portraitlady2-195x300.png 195w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><figcaption>Thomas Gainsborough, <em>Lady Bate-Dudley<\/em>, 1787<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<p>Toutefois, les portraits ne permettent que peu de vari\u00e9t\u00e9. Les Anglais sont d\u00e9sormais attentifs \u00e0 leur image et \u00e0 la repr\u00e9sentation de leur univers, c\u2019est-\u00e0-dire de l\u2019entre-soi. Le 18e si\u00e8cle en Angleterre voit la naissance d\u2019une soci\u00e9t\u00e9 de consommation. La client\u00e8le des artistes souhaite avoir des \u0153uvres s&rsquo;accordant \u00e0 leurs ambitions et surtout prenant en compte leur individualit\u00e9. <\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/enfant-1.png\" alt=\"\" data-id=\"931\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=931\" class=\"wp-image-931\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/enfant-1.png 798w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/enfant-1-239x300.png 239w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/enfant-1-768x962.png 768w\" sizes=\"(max-width: 798px) 100vw, 798px\" \/><figcaption>Joshua Reynolds, <em>Master Crewe en Henry VIII<\/em>, 1775<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/jeunehomme-2.png\" alt=\"\" data-id=\"932\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=932\" class=\"wp-image-932\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/jeunehomme-2.png 601w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/jeunehomme-2-180x300.png 180w\" sizes=\"(max-width: 601px) 100vw, 601px\" \/><figcaption>Joshua Reynolds,<em> Comte Frederick Howard<\/em>, 1769<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<p>Les peintres doivent donc penser \u00e0 de nouvelles compositions correspondant aux exigences des clients. Ils trouvent une r\u00e9ponse \u00e0 leurs probl\u00e9matiques dans l\u2019art hollandais et dans les toiles d\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Antoine_Watteau\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Antoine Watteau (1684-1721) (s\u2019ouvre dans un nouvel onglet)\">Antoine Watteau (1684-1721)<\/a>. L\u2019art hollandais apporte les motifs des sc\u00e8nes de genre, c\u2019est-\u00e0-dire des th\u00e8mes \u00e0 caract\u00e8re anecdotique ou relevant du quotidien. Le peintre fran\u00e7ais Watteau a connu le succ\u00e8s gr\u00e2ce \u00e0 ses \u0153uvres illustrant des f\u00eates galantes.<\/p>\n\n\n\n<p>Le m\u00e9lange de ces deux arts est \u00e0 l\u2019origine des <em>Conversation pieces<\/em> en Angleterre. Ces tableaux correspondent bien aux attentes de la client\u00e8le bourgeoise : les cr\u00e9ateurs mettent en sc\u00e8ne les membres d\u2019une famille dans des contextes informels. Les personnages ne nous regardent plus, ils vaquent \u00e0 leurs occupations et ils discutent entre eux, d\u2019o\u00f9 le terme <em>Conversation pieces<\/em>.<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"834\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation1.png\" alt=\"\" data-id=\"922\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=922\" class=\"wp-image-922\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation1.png 834w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation1-250x300.png 250w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation1-768x921.png 768w\" sizes=\"(max-width: 834px) 100vw, 834px\" \/><figcaption>George Romney, <em>Mr et Mrs William Lindow<\/em>, 1772<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"788\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation.png\" alt=\"\" data-id=\"923\" data-link=\"https:\/\/bonheurdesarts.com\/gazette\/?attachment_id=923\" class=\"wp-image-923\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation.png 788w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation-236x300.png 236w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/conversation-768x975.png 768w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><figcaption>Johan Zoffany, <em>Mr et Mrs Dalton avec leur ni\u00e8ce Mary de Heulle<\/em>, vers 1765<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<p>Heureusement, la peinture anglaise ne se r\u00e9sume pas uniquement \u00e0 des portraits. En raison des guerres avec la France, les s\u00e9jours sur le continent sont fortement limit\u00e9s. Les artistes red\u00e9couvrent ainsi leur pays et ses paysages. La nature leur permet de cr\u00e9er librement, sans pour autant nuire \u00e0 leurs revenus : un march\u00e9 se met en place, ce qui entra\u00eene une production de petit tableau r\u00e9alis\u00e9 sur le vif.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"798\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/peintrepaysage.png\" alt=\"Un homme est accoud\u00e9 \u00e0 la fen\u00eatre et regarde l'ext\u00e9rieur. Il est en train de dessiner.\" class=\"wp-image-920\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/peintrepaysage.png 798w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/peintrepaysage-239x300.png 239w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/peintrepaysage-768x962.png 768w\" sizes=\"(max-width: 798px) 100vw, 798px\" \/><figcaption>Francis Cotes, <em>L&rsquo;artiste Paul Sandby,<\/em> 1761<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"629\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/paysage.png\" alt=\"Il s'agit d'un paysage : au premier plan un lac et au fond un ch\u00e2teau. \" class=\"wp-image-921\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/paysage.png 1000w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/paysage-300x189.png 300w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/paysage-768x483.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption>John Constable, <em>Malvern Hall dans le Warwickshire<\/em>, 1809<\/figcaption><\/figure>\n\n\n\n<p>Enfin, la peinture d\u2019Histoire n\u2019est pas oubli\u00e9e dans l\u2019exposition. Genre acad\u00e9mique par excellence, ce type \u00e9volue dans les ann\u00e9es 1780 et se popularise. La fr\u00e9quentation croissante des salles de spectacle suscite une r\u00e9flexion sur la mani\u00e8re de repr\u00e9senter l\u2019Histoire. Les artistes se tournent donc vers des sujets dramatiques et fantastiques. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1000\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/chuteanges.png\" alt=\"Le tableau repr\u00e9sente la chute d'anges dans un effet spectaculaire. Les corps tombent violemment au sol.\" class=\"wp-image-917\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/chuteanges.png 722w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/chuteanges-217x300.png 217w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><figcaption>Edward Dayes, <em>La Chute des anges rebelles<\/em>, 1798<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"606\" src=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/ville.png\" alt=\"le tableau montre les ruines d'une ville, les maisons en pierre sont effondr\u00e9es et des corps sont allong\u00e9s au premier plan.\" class=\"wp-image-919\" srcset=\"https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/ville.png 1000w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/ville-300x182.png 300w, https:\/\/bonheurdesarts.com\/gazette\/wp-content\/uploads\/2019\/10\/ville-768x465.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption>William Turner, <em>La destruction de Sodome<\/em>, vers 1805<\/figcaption><\/figure>\n\n\n\n<p>L\u2019effet spectaculaire et visuel triomphe chez les cr\u00e9ateurs. Un nom va \u00e9merger, celui de <a rel=\"noreferrer noopener\" aria-label=\"William Turner (1775-1851) (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Joseph_Mallord_William_Turner\" target=\"_blank\">William Turner (1775-1851)<\/a> : la peinture anglaise entre ainsi dans le 19e si\u00e8cle.<\/p>\n<ul class=\"wpfai-list\"><li class=\"wpfai-list-item twitter\">\r\n      <a href=\"http:\/\/twitter.com\/share?text=La%20gazette%20du%20bonheur%20des%20arts&url=http%3A%2F%2Fbonheurdesarts.com%2Fgazette%2Fwp-json%2Fwp%2Fv2%2Fposts%2F915\" title=\"Twitter\" class=\"wpfai-twitter wpfai-link wpfainw\">\r\n        <span class=\"fa-stack fa-lg\">\r\n          <i class=\"fa fa-circle fa-stack-2x\"><\/i>\r\n          <i class=\"fa fa-twitter fa-stack-1x fa-inverse\"><\/i>\r\n        <\/span>\r\n      <\/a>\r\n    <\/li><li class=\"wpfai-list-item linkedin\">\r\n      <a href=\"http:\/\/linkedin.com\/shareArticle?mini=true&amp;url=http%3A%2F%2Fbonheurdesarts.com%2Fgazette%2Fwp-json%2Fwp%2Fv2%2Fposts%2F915&amp;title=La%20gazette%20du%20bonheur%20des%20arts\" title=\"Linked In\" class=\"wpfai-linkedin wpfai-link wpfainw\">\r\n        <span class=\"fa-stack fa-lg\">\r\n          <i class=\"fa fa-circle fa-stack-2x\"><\/i>\r\n          <i class=\"fa fa-linkedin fa-stack-1x fa-inverse\"><\/i>\r\n        <\/span>\r\n      <\/a>\r\n    <\/li><li class=\"wpfai-list-item facebook\">\r\n      <a href=\"http:\/\/www.facebook.com\/sharer.php?u=http%3A%2F%2Fbonheurdesarts.com%2Fgazette%2Fwp-json%2Fwp%2Fv2%2Fposts%2F915&amp;t=La%20gazette%20du%20bonheur%20des%20arts\" title=\"Facebook\" class=\"wpfai-facebook wpfai-link wpfainw\">\r\n        <span class=\"fa-stack fa-lg\">\r\n          <i class=\"fa fa-circle fa-stack-2x\"><\/i>\r\n          <i class=\"fa fa-facebook fa-stack-1x fa-inverse\"><\/i>\r\n        <\/span>\r\n      <\/a>\r\n    <\/li><li class=\"wpfai-list-item pinterest\">\r\n      <a href=\"http:\/\/pinterest.com\/pin\/create\/button\/?url=http%3A%2F%2Fbonheurdesarts.com%2Fgazette%2Fwp-json%2Fwp%2Fv2%2Fposts%2F915&amp;description=La%20gazette%20du%20bonheur%20des%20arts&amp;media=\" title=\"Pinterest\" class=\"wpfai-pinterest wpfai-link wpfainw\">\r\n        <span class=\"fa-stack fa-lg\">\r\n          <i class=\"fa fa-circle fa-stack-2x\"><\/i>\r\n          <i class=\"fa fa-pinterest fa-stack-1x fa-inverse\"><\/i>\r\n        <\/span>\r\n      <\/a>\r\n    <\/li><li class=\"wpfai-list-item envelope\">\r\n      <a href=\"mailto:?subject=La%20gazette%20du%20bonheur%20des%20arts&amp;body=http%3A%2F%2Fbonheurdesarts.com%2Fgazette%2Fwp-json%2Fwp%2Fv2%2Fposts%2F915%20-%20\" title=\"E-Mail\" class=\"wpfai-envelope wpfai-link wpfainw\">\r\n        <span class=\"fa-stack fa-lg\">\r\n          <i class=\"fa fa-circle fa-stack-2x\"><\/i>\r\n          <i class=\"fa fa-envelope fa-stack-1x fa-inverse\"><\/i>\r\n        <\/span>\r\n      <\/a>\r\n    <\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Il faut bien l\u2019admettre : la peinture anglaise n\u2019a pas la part belle dans les expositions temporaires, contrairement \u00e0 la peinture fran\u00e7aise et am\u00e9ricaine. Aussi, cette exposition des chefs-d\u2019\u0153uvre de&hellip;<\/p>\n","protected":false},"author":3,"featured_media":916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[235,102,232,234,233],"class_list":["post-915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","tag-gainsborough","tag-peinture","tag-peinture-anglaise","tag-reynolds","tag-turner"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La peinture anglaise au mus\u00e9e du Luxembourg - La gazette du bonheur des arts<\/title>\n<meta name=\"description\" content=\"La Tate Britain expose ses chefs-d&#039;oeuvre au Mus\u00e9e du Luxembourg jusqu&#039;en f\u00e9vrier 2020. 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